oil painting

Catherine Twomey Contributes to a PAPA PBS Documentary

As a member of Preserving A Picturesque America (https://preservationthroughart.org/) yesterday I joined three other plein air painters at the Biltmore Estate on the Wisteria Terrace. As we painted we were filmed and then interviewed about our work and PAPA for an upcoming PBS Documentary. It was a most spectacular day, fortunately, and although I have almost no memory of what I said in the interview, I hope I did PAPA proud - I know they make me proud.

Painting, getting filmed and interviewed for a PBS documentary this morning at Biltmore. Four plein air painters for Preserving a Picturesque America hard at work.

Jeff the cameraman from LA, preparing to shoot with his 30# camera.

The wisteria that captured my heart and eye; along with Mt. Pisgah.

Almost finished, always one more thing to do....9 X 12" oil on Artefex canvas over aluminum panel with Michael Harding oils.

Open Studio Tour! Oct. 8 & 9, 1 Plymouth Court, Asheville!

Hope you can come and meet me at 1 Plymouth Court, Kenilworth, Asheville this Saturday and Sunday. Starting at 10, ending at 5 - it would be such a pleasure to meet you! I’ll have originals and prints, snacks & spring water. The weather is going to be PERFECT! See you there, and thanks.

"Lilified 1.0" by Catherine Twomey

“Lilified 1.0” 6 X 6” custom framed, ready to hang. Oil on panel.

This richly detailed portrait of a home grown lily from my garden is 6" X 6", an oil. It is in a floating, custom frame that gives weight and additional beautiful to the original painting. There's something about these lilies that spells "summer" - can you imagine the insects flitting about; the sun's heat on your arms; the bright burst of yellow that lasts but one day? This is it. The frame is a stunning greenish-grey, with a copper inset that edges the painting panel. The frame's border is 3", making the painting about 14" X 14". It is backed, wired and ready to hang.

"Island Edge" Oil by Catherine Twomey

Oil, 8” X 16” on archival panel.

There is a definite wonder in going to the trouble of painting outside. Everything about the experience is fresher, cleaner (unless you step on your solvent jar, which I just did) and the colors are unmatched. Yes, the weather was somewhat dangerous with thunderstorms all around this lake. However, knowing that, I felt highly charged to choose my painting spot, quickly decide on the composition and squint for optimal color matching. The sun poked in and out; lots of people walking by wanted to talk - but I had to focus and get it down instinctively and purely. And so it goes.