mountains
Some of the most striking views of the Blue Ridge are the long vistas like this. I was taken by the light hitting the rocks at sunset, as the shadows began to creep in. This is an original Contemporary Fresco on Aquabord and is framed in a perfectly suited chestnut frame, deep with color and texture. This ready to hang piece is 14.5” W X 11.5” H.Available here: https://www.catherinetwomey.com/new-products/valley-view-tgeth
Offered to the public for the 1st time, "East Fall Blue Ridge" - 2010 Winner of the National ArtInPlace competition, Charlottesville. Visit https://www.catherinetwomey.com/new-products/east-fall-blue-ridge-145-x-1275-oil-provenance-award-winner
“East Fall Blue Ridge” Original oil, winner of the National ArtInPlace Competition, 8 X 10” in a 10 X 12” custom vintage style wood frame. Visit: https://www.catherinetwomey.com/new-products/east-fall-blue-ridge-145-x-1275-oil-provenance-award-winner
Abstraction with a hint of nature. This is a 9 X 12" custom burlwood framed abstract painted in sky blues, earth browns, black, cream, yellow with charcoal. It is varnished and UV protected. A Catherine Twomey original, highly coveted and ready to enhance your living space with hand crafted excellence and attention to your style.
A tranquil scene depicts a waterfall cascading between rocky cliffs into a serene pool, with sunlight illuminating the rocks and water. The interplay of soft colors creates a peaceful and harmonious atmosphere. This is at the top of the Tahquitz Canyon at Aqua Caliente in Palm Springs. Painted plain air.
This is a contemporary fresco on Aquabord. It does not need glass framing; it is varnished.
https://www.catherinetwomey.com/available/tahquitz-canyon-falls-morning-9-x-12-contemporary-fresco
“Many Glaciers Mid Afternoon” - watercolor, 10 X 14” on Arches Archival paper
I just returned from a couple of weeks visit to Glacier National Park in Montana. It was a bucket-list trip, and so worth the effort. Daily hikes and painting sessions made the trip memorable. Only ran into one grizzly bear (one is enough….) and saw lots of mountain goats. This painting was from the front of Many Glacier Lodge, where lots of glaciers still exist and are so beautifully clean and reflective.
Just a few of the pieces now on sale in my store on Etsy:
25% off, original pieces.
The Center for Humans and Nature (https://humansandnature.org/) interviewed me for this feature: https://humansandnature.org/the-universe/...
I am very grateful for their work and interest.
The Universe | Center for Humans and Nature
Painted plein air in the garden, Palm Springs, CA. I've never spent this much time in the desert and it's really starting to grow on me. Daily I gaze at a lovely, full lemon tree. The looming mountains still have snow at the top, yet down below it's 70 degrees and sunny. Coyotes roam the neighborhood and follow my dog and me on walks. I've been so influenced by this lemon tree, I'm now dreaming about the lemons and this inspired this piece. And p
eace.
"Birds Eye View Summer Spruce", 16 X 20" oil on canvas over aluminum. There are seven spruces off of my deck, and I've painted this one 100 times in my mind. Finally got it down on canvas! Plein air to studio; available this week at Blend Gallery in Asheville.
THANK YOU to Blend Gallery at 67 Biltmore Ave (Asheville) for the sale of "Island Edge." This original oil was painted plein air at Bass Lake in Blowing Rock, NC - obviously a beautiful, serene place filled with happy walkers as storms came and went.
Thank you to the Center for Humans and Nature (https://humansandnature.org/) for the unexpected award for six of my works to be published in 2023! What a terrific way to start the New Year! Citation: A version of ‘Accelerating’ first appeared in a
publication of the Center for Humans and Nature Press and is revised and
reprinted here with permission of the Center for Humans and Nature Press.
"The Island" is a plein air oil, 16" X 16" in Blowing Rock, NC. It was a blustery, sometimes rainy day, but there is nothing like capturing the light on site. Thank you to the collector from Hewitt, NJ for their purchase!
The international gallery, Singulart, has named my work “Maple Ridge Craggy Gardens” to their Fall Harvest Collection! This piece is in oil on an archival panel, and is professionally framed and ready to hang. For additional information, please visit:
Tonight one of my pieces will be for sale at the Chimney Rock Art Sale at Burntshirt Vineyards -@burntshirt.chimney.rock! Original oils will be offered by preservationthroughart.org as a fundraising event for environmental preservation. Hope you can make it! #artfundraising #oilforsale #burntshirtvineyards #preservingapicturesqueamerica #catherinetwomey1
Hope you can come and meet me at 1 Plymouth Court, Kenilworth, Asheville this Saturday and Sunday. Starting at 10, ending at 5 - it would be such a pleasure to meet you! I’ll have originals and prints, snacks & spring water. The weather is going to be PERFECT! See you there, and thanks.
“The Marked Tree”, 12” X 16” on panel
A memory, a feeling, a brief moment of life - this was painted at Marked Tree Vineyards, where I was surrounded by the most beautiful scenery, happy somewhat inebriated people, a good panter friends. I was so drawn to the way the vines pointed at the namesake tree - and the colors, the rich colors of the countryside on a gorgeous summer day.
“The Island”, 12” X 12” oil on panel.
If a painting could capture a day, this one did. It was blustery (hang on to the easel kind of blustery), and there were thunderstorms all around as I painted. The sun flashed in and out, illuminating the bright greens of the island’s trees as well as the backdrop. It’s hard to describe the joy of such a moment, other than to say it makes you feel as alive as you’ve ever been. Two hours to get it all down, get it right, and not get hit by lightning.
“Sequenced”, 24” X 36” pigments, iridescents, metallics on aluminum panel, framed.
The luminous sky and mountains at over 6,000 feet can overwhelm. Couple that with the late spring blooms of the rhododendrons, and there is a sense of floating high above the clouds as the sun descends. I'm inspired by the mountains and sky, of course - but the flow of the pigments themselves is so freeing; so abstract. It's like it helps makes sense of all of the complex layers and diffuse light spreading through the clouds. Each layer is constructed
separately using pigments, tools, an airbrush and gravity. Although the end result appears realistic, on closer inspection it's made up of pours, ridges and glowing pigment. This 24" X 36" original painting will infuse your room settings with good taste and luminescence. It is framed in a lovely copper and black floating frame.
Oil, 8” X 16” on archival panel.
There is a definite wonder in going to the trouble of painting outside. Everything about the experience is fresher, cleaner (unless you step on your solvent jar, which I just did) and the colors are unmatched. Yes, the weather was somewhat dangerous with thunderstorms all around this lake. However, knowing that, I felt highly charged to choose my painting spot, quickly decide on the composition and squint for optimal color matching. The sun poked in and out; lots of people walking by wanted to talk - but I had to focus and get it down instinctively and purely. And so it goes.
“Between Storms” is an 8” X 16” oil on archival panel.
The weather is so incredibly variable in the mountains, and this day was no exception. I made my way around a lake, Bass Lake, in Blowing Rock, NC - Blue Ridge mountains. Surrounded by threatening cumulous clouds, I quickly set up and immediately planned out the composition. Suddenly, sunlight flooded the island in the lake's middle, and I knew I had my painting. The flashes of light green and blue highlighted the dark pines against the mountainside. The light fell on a downed log, prompting a highlight that finished the piece. As dozens of people made their way past and around the lake path, it felt like we were all in it together - a race against the lightning in an electric moment.