Excited to have been curated in to the "National Juried Show" in Knoxville by Jordan Ahlers of Momentum Gallery. Honored and looking forward to the show!
Additional information:
https://www.facebook.com/events/1060098854357840/
abstraction
“Blue Marble Earth No. 5” by C. Twomey, 12 x 12” on canvas
Excited to have been curated in to the "National Juried Show" in Knoxville by Jordan Ahlers of Momentum Gallery. Honored and looking forward to the show!
Additional information:
https://www.facebook.com/events/1060098854357840/
“Visceral” 8 X 16” on archival canvas and board
Operating on intuition, I move through the world looking at facts as well as trusting my instincts. When something's visceral, you can feel it in your guts. A visceral feeling is intuitive — there might not be a rational explanation, but you feel that you know what's best, like your visceral reaction against flying a particular airline or having faith that your best friend isn't who you thought. Lately, there's been a deep-seated, visceral sense that something big, something unknown, is about to happen. I read a lot about climate change and worry that something big is happening and there's nothing to avoid it; nothing to be done. This painting comes from that sense. The cool blue shapes are amorphous - is it ice, melting? Is the orange contrasting heat growing, spreading, encroaching? The organic, churning forces of nature will deal with us one way or another, no matter how we treat them - they'll win. This painting is on archival canvas and board; it is 8 X 16".
8 X 16”, acrylic and inks on canvas.
"Invasion" of what, I can't say. A sense of foreboding; impeachment anxiety; the reckless spirit of the season. Consider the source. Acrylic, 8 X 16" on RayMar linen.
Prints of my work are now on sale here:
https://fineartamerica.com/profiles/catherine-twomey?tab=artwork
Happy holidays and may next year be honest.
8 X 10”, acrylics, ink on archival surface
Winter is advancing. The sun sets earlier by minutes, every day. Something extraordinary happens to the sky, however. It seems clearer, crisper, more beautiful then any other time of year. It's energizing. I want to let the paint have a mind of it's own, with a little help from me. I want to capture the contrasts and clarity. Tomorrow, December 12, the full moon of December, called the Full Cold Moon, will arrive overnight tonight just after midnight eastern time, and as it rises it will be joined in the sky by the planets Venus and Saturn, which will be close together after reaching a conjunction on Dec. 11. This painting is unframed. It is on archival RayMar linen panel and is of the highest quality. Acrylics were used, along with inks and flow medium. It is a luminous, 8 X 10" original painting.
It’s kind of a melancholy day with the coolness and the rain. To cheer myself up, I’m working on this abstract showing memories of the summer garden. I have some azaleas that are this deep, gorgeous pink that just popped out of my head. Think I’ll keep going with this one as the days improve.
On a lighter note, plaase check out my print sale! Prices are 30% off for all prints:
https://fineartamerica.com/profiles/catherine-twomey
Happier Monday!
Catherine
For the next two weeks, prints are offered at 30% off. Visit this link to order, and thanks for your interest:
“Sun Over the Blue Ridge”, 12 X 16”, acrylic on raw canvas, ready to hang.
The weather here in Asheville has been rather spectacular the last few days. The nights are getting colder, it's almost Halloween, and this week the time changes. Life moves on!
Another spectacle: the mountain hikes. And - my foot has just "graduated" post surgery to being able to hike again! We headed to Black Balsam Knob and switchbacked to the 360 views. I was mesmerized by the clouds, the changing trees and of course the layers of rocks and hills below the top. Nothing quite as dramatic as the autumn sky and swirling clouds.
I am exploring a new technique. It involves using raw canvas and literally "staining" the canvas using pigments and a wetting agent. I've found working like this leads to very intense, rich colors that leap off the fabric. This allows me as little or as much control as I desire, which is exactly what I was looking for in a technique. 12 X 16" on raw canvas, wired and ready to hang.
Purchase here: https://www.catherinetwomey.com/available/sun-over-the-blue-ridge
8 X 16”, unframed on Ray Mar archival canvas and board.
It's definitely fall now - we're going to get a frost tonight. In advance of fall, I hate the thought of it. The lower temperatures, the dark - but once it's actually fall, it's spectacular. The bugs are gone, the sky is an incredible cerulean blue - and the nights; so crisp.
This painting is about the nights. I can look up at the sky and sense the universe; the stars, the planets and the enormity of it all. This nebula, or an interstellar cloud of dust, hydrogen, helium and other ionized gases, hovers in the sky with the richest of colors and blues.
So fall is inevitable. I've learned to embrace it, and this is an example of that.
"Max Patch Hedonism" 20 X 20" on gallery premier canvas. I climbed the rough trail to the bald, or open area, of Max Patch. If you've heard of the Appalachian National Scenic Trail (A.T.) then maybe you've been there. Deep in the Pisgah National Forest, it's a pretty easy climb to the bald - and there you'll find a spectacular 360 degree view of the Great Smoky Mountains, the Black Mountains and the flatland of eastern Tennessee.
“Falls At Catawba”; the sound hits you before you can smell the water; the reward is climbing to sit near the soft ferns as the water finds its way down. Is there anything more peaceful than sitting beside a gently flowing waterfall in dappled shade?
The headwaters of the Catawba River are beautifully scenic. Just east of Asheville, the river tumbles through a rolling forest, cascading in a series of waterfalls and flowing over a mossy riverbed set in a shady, scenic stretch of the Pisgah National Forest. This fantastic day hike explores waterfall after waterfall in a sun-dappled valley, hiking just over two miles through a shady forest to the seeping wall of vibrant green moss and tendrils of water known as Catawba Falls.
This painting is original, and is wired and ready to hang. It is unframed. It was painted on raw canvas, allowing the beautiful stains of the paints to saturate and spread. It is enhanced with metallics such as silver and copper.
Acrylic and metallics, 12 X 16” on raw canvas.
Work In Progress, “Falls At Catawba”; the sound hits you before you can smell the water; the reward is climbing to sit near the soft ferns as the water finds its way down.
Work In Progress, “Max Patch Hedonism”, 22 X 28” acrylic pours, metallics and hand painting.
Hike a section of the famous Appalachian National Scenic Trail (or A.T.) on top of Max Patch Mountain near Hot Springs. This 4,600-ft. bald mountain was cleared and used as pasture in the 1800s. Today, it's a 350-acre tract of open land on a high knob with 360-degree views. It's one of the most spectacular settings you'll experience in the Blue Ridge.
!6b X 12” on unprimed canvas.
I climbed the rough trail to the bald, or open area, of Max Patch. If you've heard of the Appalachian National Scenic Trail (A.T.) then maybe you've been there. Deep in the Pisgah National Forest, it's a pretty easy climb to the bald - and there you'll find a spectacular 360 degree view of the Great Smoky Mountains, the Black Mountains and the flatland of eastern Tennessee.
Indeed, it feels like you're touching the sky; the clouds; even the air. I watched storms move across the valleys and hollows, constantly wondering if they were about to turn our way and cause a rapid descent. On any given day, there might be a number of other hikers there, but the atmosphere is respectful and peaceful. It's lovely to just lay on your back in the grass and watch the world move.
12 X 12”, acrylic and oil, on stretched canvas.
It’s no secret i’m fascinated with the solar system, and the planets, and the thought of living beyond earth. I can’t afford to hop on with Elon Musk, but I can dream, can’t I? I worked with High Flow Acrylics for this painting and a magic potion of ingredients. I loved the way the colors held up despite the large amount of swirling and surface to cover. So, will we occupy Mars? We’ll see.
This will be offered for sale soon.
Raw cotton canvas experimental. Magical mixes of acrylics and, well, magic - combined to allow for freedom and flowing and beautiful transitions. Channelling Helen Frankenthaler at the moment, but soon to expand the program.