I had some requests for larger prints of "Dogwood Herd" so I rescanned at a higher resolution, uploaded and prepped the following image. Thanks so much for your interest. Find high quality large prints here: https://fineartamerica.com/featured/dogwood-herd-catherine-twomey.html?newartwork=true
Original Art Auction Ending Soon!
Please click below to bid! Thanks for your interest.
Early spring, my garden. The wild, glorious rhododendron plant by the front door. Rich, fluid, with a main flower reaching for the sun, others behind it doing the same. Painted plein air on archival linen board, unframed. You won't believe the pinks against the greens, with all the freshness of the season.
The Artist
Art is my life. From the first art project I can remember (making a Christmas Nativity scene in grade school that overshadowed the resident artist) art has always been what brings me the greatest satisfaction. Without art, I am not who I am.
I am now working full time as a fine artist, a dream that I've pursued for as long as I remember. Landscapes engage and challenge me, and I have a very soft spot for animals.
My artwork has been featured at the world renowned TED (Technology, Education and Design) conference (TED MED in San Diego, on huge high definition screens throughout the exhibition center). I recently won the nationally acclaimed ArtInPlace competition in Virginia which placed a 12' X 24' mural on aluminum of my work, now seen by thousands of commuters daily.
Two museums currently house my art: The William H. Benton Museum in Connecticut, and The LLoyd Museum in Cincinnati, Ohio. It was a great honor to be asked to exhibit and I continue to add to their collections. Speaking of collections, my work is a part of hundreds of private collections worldwide.
I have studied with some of the greatest artistic and scientific minds in the world: fellow medical illustrators. Leonardo da Vinci is considered the first medical illustrator, and his knowledge, technical abilities and deep curiosity are benchmarks for the field.
As a Board Certified Medical Illustrator, I have had the privilege to know and learn directly from some of the most extraordinarily talented, smart and influential visionaries living today.
Fine art influencers include Georgia O'Keefe, Leonardo da Vinci, Rembrandt and Degas. I look to their struggles and triumphs, and their unflinching persistence.
Goat Farm Plein Air, C. Twomey
6 X 8" oil on archival linen. The light had that delicate sheen that it often has in early spring, when everything is so fresh and delicate.
Ending 5/2 at 8:00 pm! Wakefield Farm Shed With Dogwoods.
Ending Friday, May 2 at 8:00 pm is this auction:
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| Wakefield Farm Shed With Dogwoods: Built 1781 |
First local plein air of the season, I painted this last Monday at the gorgeous Wakefield Farm. The farm is in my back yard and houses 25 horses. It was built in 1781 and has many of the original structures, including this shed.
I was taken by the beautiful aging grays of the shed's walls against the brilliant pinks, white and apricots of the flowering dogwoods. What a sight! As I painted at least five people came over for pleasant chats and comments. A day that will not soon be forgotten.
The original oil is 5X7" and is on archival linen board. The painting is unframed. This is how the painting would look framed:
Thank you for your interest.
Wakefield Farm Shed With Dogwoods: Built 1781
Starting at Auction tomorrow, Saturday April 26:
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| Wakefield Farm Shed With Dogwoods: Built 1781 |
First local plein air of the season, I painted this last Monday at the gorgeous Wakefield Farm. The farm is in my back yard and houses 25 horses. It was built in 1781 and has many of the original structures, including this shed.
I was taken by the beautiful aging grays of the shed's walls against the brilliant pinks, white and apricots of the flowering dogwoods. What a sight! As I painted at least five people came over for pleasant chats and comments. A day that will not soon be forgotten.
The original oil is 5X7" and is on archival linen board. The painting is unframed. This is how the painting would look framed:
Thank you for your interest.
Auction: "Storm's A Comin" by Twomey
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| "Storm's A Comin" 10 X 8" oil on canvas |
Now at auction: a Twomety original oil painting "Storm's A Comin"
Process
This was one of those days when you can feel the ions in the air. Was it dangerous to start painting this enormous, approaching storm? Probably not; but I was in the moment and it was dramatic. This was painted on a beach near Tampa, Florida. The storm stayed out to sea, thankfully.
The contrasts and colors were simply incredible. I had to hurry up not to get wet. Every time I look at this, I'm taken back to that warm tropical air, the flashing lightening and the sense of impending chaos.
This work is 10 X 8" on archival canvas. It is unframed. This is how this painting would look framed:
"Storm's A Comin" Auction Starts Tomorrow!
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| "Storm's A Comin" 10 X 8" oil on canvas |
Beginning tomorrow this original oil painting "Storm's A Comin" Auction will begin.
This was one of those days when you can feel the ions in the air. Was it dangerous to start painting this enormous, approaching storm? Probably not; but I was in the moment and it was dramatic. This was painted on a beach near Tampa, Florida. The storm stayed out to sea, thankfully.
The contrasts and colors were simply incredible. I had to hurry up not to get wet. Every time I look at this, I'm taken back to that warm tropical air, the flashing lightening and the sense of impending chaos.
This work is 10 X 8" on archival canvas. It is unframed. This is how this painting would look framed:
5 Ways To Identify A Painting For YOUR Taste
There are so many choices of painting styles - when you're in the market, it helps to quickly narrow down what appeals to your individual taste....(continued below)
Working on a series of the Bleak House Plantation Barn located in Earlysville, VA. What I'm liking very much about this painting is that I'm loosening up. A dream like, luscious quality is infusing the structure - a quality I very much feel when I'm looking at this venerable barn.
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| Bleak House Barn III |
This original is available for sale as a 5 X 7" oil on archival linen board. Framed in a gorgeous custom gold and black floating canvas frame.
Helpful purchasing guidelines:
1. What's your budget? You can purchase original pieces of art - art that will increase in value - for less than $500.
2. When looking at art samples, what draws your eye first? This includes identifying that eye-grabbing trait: A color or colors? Subject matter, pattern, abstraction? The stroke (or lack of) of the artist's hand?
3. What size? This seems obvious, but are you open to whatever appeals? Or are you trying to fill a big space over the sofa?
4. Will the artist's work appreciate in value? If this is important to you, take the time to look at their awards, their statement about their work, their Biography. These will tell you if they're in it for a quick fling or have the staying power needed to increase the value of their art.
5. Are you buying from your heart? If so, that magical quality that drew you in is likely to capture others as well. Successful collectors bring their hearts, their instincts AND their minds to the table when making an art-purchasing decision.
How to Paint An Emotional Icon
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| Bleak House Barn 2
I have to have a reason to paint. There is so much local history here in the foothills of the Blue Ridge that's it's tough to focus on just one thing. A focus on the barn at Bleak House Plantation tempers an impending sense of overwhelmed-ness that comes with so many choices.
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Having just seen Twelve Years A Slave, that's what I'm thinking of as I read about the history of this plantation. I'm revisiting this barn series at the Bleak House Plantation in Earlysville, VA. Built in the1700's when slaves worked the plantation's wheat, tobacco, corn and livestock.
I wandered around on a hot spring day, capturing many opinions of what this barn meant to the surrounding landscape. It was silent but for the birds in the country, yet I could hear the voices of past inhabitants and the earth gave up hints of previous homes and outbuildings. Google search was an enormous help in finding obscure references to the slaves that worked here, their names, position, ages, value, etc.
This particular viewpoint is the third in the series. I simplified the structure, concentrating more on the light and shadow colors and shapes. Emotionally I wanted something beautiful but imposing, as this barn was a symbol of prosperity and enslaved toil.
This original is available for sale as a 5 X 7" oil on archival linen board. Framed in a gorgeous custom gold and black floating canvas frame.