Wickers Gets Oiled: The Final Thinner Layers

Image of Wickers at the last thin layer of oil paint.Close of wickers  

These are the final thin layers of oil before I get into the serious thicker paint. I've added more colors and deepened some areas of contrast. I'm not happy with the colors; they're not exactly what I wanted yet and they're too separate from each other. That, however, can be fixed in subsequent layers.

I'm going to need to go in and concentrate more on the area of focus - Wicker's eyes and face. Now, however, I have a decent foundation upon which to build. Note: there is some glare from the flash especially in the neck area, but that will be eliminated as more layers go on.

Expanding Palette! & Background Wash

Adding ultramarine, cerulean, alizarin and viridian to the palette
Expanding my initial palette, adding Ultramarine Blue, Cerulean Blue, Alizarin Crimson and Viridian Green. Might not use all of them, but like to have them ready in case I decide to. 

Generally I start with thinner large puddle washes and add color to them as I move to other hues. This helps the colors relate to each other, as did the overall Burnt Sienna wash as a base layer. 



Below, using a large brush to add a thin layer of background color. This is mostly Cerulean Blue, with a touch of Cad Yellow Light.


Using a large brush to wash in the background layerFYI: I use the M. Graham oil paints. They do not pay me to do their advertising! I've just been very happy with the fact I can use walnut oil to thin the paint and clean my brushes.